Goals & Obstacles... plus more updates
What are yours for our 50 days?
With 70 writers already registered for our live webinar and 300 more following along on SubStack (and we’ve still got a month to go), I’d love to hear everyone’s goals for our 50-day challenge as well as the obstacles you hope won’t get in your way. For me, I’m making final revisions on a novel after some big changes, and I hope to have 2/3rds of the book revised by the challenge’s end. My obstacles? Travel, sleepiness (why am I waking up so early?), my own self-doubts and perfectionism, and worries over my sister’s health. How about yours?
And more updates, including some new writers joining us to offer their insight: David Abrams, Maurice Ruffin, Meta Wagner, and Hank Phillippi Ryan. See the schedule below:
WEEK 1: GOAL SETTING & GENERATING METHODS (OCTOBER 4-10)
October 4: Intro & Setting Goals (w Kelly Ford, Real Bad Things)
October 5: Pantsers (w writer Lissa Franz & Louise Berliner, Texas Guinan: Queen of the Nightclubs)
October 6: Plotters (w Virginia Pye, Shelf Life of Happiness & Anjali Mitter Duva, Faint Promise of Rain)
October 7: Something In-Between (w Dawn Tripp, Georgia & Jane Roper, The Society of Shame)
October 8: Burrowing (w Jessica Keener, Strangers in Budapest & Grace Talusan, The Body Papers)
October 9: How to Stay in the Chair (w writer Tracey Palmer & Belle Brett, Gina in the Floating World )
October 10: What holds you back? (w Dariel Suarez, The Playwright’s House)
WEEK 2: CHARACTER BUILDING (OCTOBER 11-17)
October 11: Goals & Yearning (characters w & w/o agency) (w Ilan Mochari, Zinsky the Obscure & Marjan Kamali, The Stationery Shop)
October 12: Observer vs. Participant & Protecting Your Character (w Steve Almond, All the Secrets of the World & Kate Racculia, Tuesday Mooney Talks to Ghosts)
October 13: What your Characters Need to Learn: Flaws & Wounds (w writer Meghana Ranganathan)
October 14: Attitude (w Margot Livesey, The Boy in the Field & Courtney Maum, The Year of the Horses)
October 15: Is it backstory? Or is it a second plotline? (w Aube Rey Lescure, The Foreigner & Shilpi Suneja, House Caravans)
October 16: Supporting Characters (w Nancy Crochiere, Graceland)
October 17: How to Find the Stakes of your Story (Hank Phillippi Ryan, Her Perfect Life & Maurice Ruffin, The Ones Who Don’t Say They Love You)
WEEK 3: POINT OF VIEW (OCTOBER 18-24)
October 18: First Person Pros & Cons (w Maya Shanbhag Lang, What We Carry)
October 19: Third Person Limited Pros & Cons (w Linda Schlossberg, Life in Miniature & Whitney Scharer, The Age of Light)
October 20: Third & 1st Person Omniscient (w writer Julia Rold & Weike Wang, Joan is Okay)
October 21: Second Person & The Royal We (w Allison Amend, Enchanted Islands and David Abrams, Brave Deeds)
October 22: How to Handle Multiple POVS (w EB Moore, Stones in the Road & Mark Guerin, You Can See More From Up Here)
October 23: The Author/Character/Narrator Merge (w writer Shuchi Saraswat & Karen Wilfrid, Just Lizzie)
October 24: Voice (w Rachel Barenbaum, Atomic Anna & EB Bartels, Good Grief)
WEEK 4: EARLY PAGES (OCTOBER 25-31)
October 25: Unstable Ground Situation (w Rosie Sultan, Helen in Love, & Steven Lee Beeber, Heebie Jeebies at CBGBs)
October 26: Inciting Incident (w Rebecca Rolland, The Art of Talking with Children & Devi Snively, Bride of Frankie)
October 27: Point of Attack (w Ron MacLean, We Might as Well Light Something on Fire)
October 28: Character Determines Incident, Incident Reveals Character (w Lise Haines, Book of Knives & Katherine Sherbrooke, Leaving Coy’s Hill)
October 29: Tension (w Katrin Schumann, This Terrible Beauty)
October 30: Setting: Place & Time Period (w writer Hesse Phillips)
October 31: Mystery & Clarity (w Emily Ross, Half in Love with Death)
WEEK 5: WHAT IS A SCENE? (NOVEMBER 1-7)
November 1: Scene vs Summary (w Susan Bernhard, Winter Loon)
November 2: Intention & Conflict/Negotiation (w Crystal King, The Chef’s Secret)
November 3: Turning Point/Most Important Moment (w Henriette Lazaridis, Terra Nova)
November 4: Consequence (w Sandra Scolfield, This is Not a Novel)
November 5: Sensory Detail (w writer Lara Wilson & Dan Fogarty, Kill the Prince)
November 6: Pacing & Time (w writers Sharissa Jones & Stacy Mattingly)
November 7: Dialogue (w writer Pamela Loring)
WEEK 6: HOLDING UP THE MIDDLE (NOVEMBER 8-14)
November 8: Escalations & The Signature (w writer Nicole Vecchiotti)
November 9: Beyond Freytag (w Ethan Gilsdorf, Fantasy Freaks & Gaming Geeks)
November 10: The Dramatic Question (w writer John McClure)
November 11: Character, Story, & Other Arcs (w Patricia Park, Imposter Syndrome & Other Confessions of Alejandra Kim & Jennifer De Leon, Don’t Ask Me Where I’m From)
November 12: Fun & Games & The Midpoint (w Sara Shukla, Pink Whales & Annie Hartnett, Unlikely Animals)
November 13: The Clock (w Steve Yarbrough, Stay Gone Days & Sabina Murray, The Human Zoo)
November 14: Obstacles, the Crucible & Other Tension Tricks (w Desmond Hall, Your Corner Dark & Erica Ferencik, Girl in Ice)
WEEK 7: FINDING THE ENDING & FINISHING THE DRAFT (NOVEMBER 15-21)
November 15: The Dark Night of the Soul, The Crisis & Climax (w Julie Carrick Dalton, The Last Beekeeper & Tara Masih, My Real Name is Hanna)
November 16: Jim Shepard’s Rate of Revelation (w Jim Shepard, Phase Six)
November 17: Denouement, Complexified Equilibrium, & The 5-Point Finale (w Rishi Reddi, Passage West)
November 18: What is an Ending? (w the Novel Incubator Retreat all-stars)
November 19: When & How to Get Feedback & the Implied Author (w the Novel Incubator Retreat all-stars)
November 20: Keeping the Faith (w the Novel Incubator Retreat all-stars)
November 21: Keeping the Faith (w Meta Wagner, What’s Your Creative Type: Harness the Power of Your Artistic Personality)
EPISODE 50!
November 22: How do I know I’m done? (w Kasey LeBlanc, Flyboy & Shalene Gupta, The Power of Trust)
My goal is to put writing first in my day (literally!) I'm 4/5 done with a major novel revision and my plan is to get that tough last 1/5 done by devoting 90 min. every morning for 50 days.
My goal is to "finish" my first novel--that is, to finish editing it into a draft I'm willing to query to agents.