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Today, we hear from Desmond Hall whose newest novel, BETTER MUST COME, was released on June 4. I’ll be interviewing Des with a whole lot of other questions about this book live at GrubStreet in the Boston Seaport on June 13, so I hope to see people there where you can buy your own copy and get it signed. Today, however, we’ll be talking about how to manage dramatic irony—which is basically about when to reveal what info and where in terms of what a character versus a reader knows—while writing multiple points of view.
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Desmond Hall was born in Jamaica, West Indies, and moved to Jamaica, Queens. He has worked as a high school biology and English teacher in East New York, Brooklyn; counseled teenage ex-cons after their release from Rikers Island; and served as Spike Lee’s creative director at Spike DDB. Desmond has served on the board of the Partnership for Drug-Free Kids and the Advertising Council and judged the One Show, the American Advertising Awards, and the NYC Downtown Short Film Festival. He’s also been named one of Variety magazine’s Top 50 Creatives to Watch. In addition to his latest, Better Must Come, Desmond is also the author of the gritty YA novel Your Corner Dark which confronts the harsh realities of gang life in Jamaica and how far a teen is willing to go for family. He lives outside of Boston with his wife and two daughters.
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