Allegra Goodman discusses the first pages of her latest novel, Sam, how she discovered the voice of her young protagonist through freewriting, how she complicated that voice as her protagonist aged, the limitations and gifts of writing in the present-tense, 3rd-person limited point of view, and how silence helps a writer stay true to her characters.
Goodman’s first pages can be found here.
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Allegra Goodman’s novels include Sam (a Read With Jenna Book Club selection), The Chalk Artist (winner of the Massachusetts Book Award), Intuition, The Cookbook Collector, Paradise Park, and Kaaterskill Falls (a National Book Award finalist). Her fiction has appeared in The New Yorker, Commentary, and Ploughshares and has been anthologized in The O. Henry Awards and Best American Short Stories. She has written two collections of short stories, The Family Markowitz and Total Immersion and a novel for younger readers, The Other Side of the Island. Her essays and reviews have appeared in The New York Times Book Review, The Wall Street Journal, The New Republic, The Washington Post, The Boston Globe, and The American Scholar. Raised in Honolulu, Goodman studied English and philosophy at Harvard and received a PhD in English literature from Stanford. She is the recipient of a Whiting Writer’s Award, the Salon Award for Fiction, and a fellowship from the Radcliffe Institute for Advanced study. She lives with her family in Cambridge, Mass, where she is writing a new novel.
Passages: Allegra Goodman on Sam