Meg Waite Clayton discusses the first pages of her latest novel, The Postmistress of Paris, how she reached out on social media to find experts to help her write her opening (and it worked!), her method of drafting in the first person to draw her closer to her third person narrative, and the best advice she ever got: “Use extraordinary actions to illuminate ordinary emotions.”
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Passages: Meg Waite Clayton on The…
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Meg Waite Clayton discusses the first pages of her latest novel, The Postmistress of Paris, how she reached out on social media to find experts to help her write her opening (and it worked!), her method of drafting in the first person to draw her closer to her third person narrative, and the best advice she ever got: “Use extraordinary actions to illuminate ordinary emotions.”